en
en v
Phone
Cart0 Tickets
Total: 0
Account
Calendar
Search
Menu
X

Swan Lake

VenueTeatro dell´Opera di Roma Teatro Costanzi
CalendarThu 17 Dec 2026 - Thu 31 Dec 2026
Synopsis/Details

Synopsis

 

Act I

Siegfried’s birthday party in the castle garden To celebrate Siegfried’s eighteenth birthday, Alexander and the courtiers and neighbours have organized a surprise party for him in the garden of the castle. The Prince’s tutor Von Rasposen is irritated by Siegfried and Alexander’s friendly relationship with the local peasants. The festivities are interrupted by the arrival of the Queen, the Prince’s mother. She presents her son with a ring reminding him of his future role as successor to the throne: he will soon have to choose a bride. Siegfried is downcast at the prospect of his youth drawing to a close. As darkness falls he and Alexander ponder on the future. They decide to explore the surrounding forest.

 

Act II

The meeting with Odette Lost in the forest, Siegfried and Alexander arrive at the banks of a great lake. A huge circling bird of prey fills them with fear: it is as if the form of Von Rasposen is still spying on them. The bird of prey – in fact the wicked magician Von Rothbart – summons a swan out of the dark lake, which takes on human form. In Odette, the Swan Queen, and her retinue of swan maidens, Siegfried believes he has found the realization of his ideal of sincerity and simplicity. Surrounded by these pure shapes he is overcome with joy. He swears to remain forever true to his ideals.

 

Act III

The betrayal During a ball at the castle several brides-in-waiting are presented to Siegfried. But to the amazement of the guests, and to his mother’s alarm, Siegfried refuses to make a choice; all the pomp and splendour contrast starkly with the purity of the vision experienced at the lakeside. Von Rasposen announces the last guests: Von Rothbart, his daughter Odile and their retinue. Siegfried imagines that the Black Swan, Odile, is a manifestation of the White Swan Queen, Odette, but still he wavers. Von Rothbart and Odile blind him with a sensual display of dazzling virtuosity. To Alexander’s dismay Siegfried yields and offers Odile the ring. Too late he realizes that he has betrayed his ideal, Odette. Stricken, he flees back to the lake in despair.

 

Act IV

The reconciliation with Odette Disillusioned and betrayed, Odette and the swan maidens tarry by the moonlit lakeside, where Siegfried finds them. Odette forgives Siegfried and attempts to comfort him, telling him that he must learn to live with reality. Von Rothbart tries to drive Siegfried away from the lake, but although Siegfried manages to defy him, he drowns in the waters. Von Rasposen abandons his futile search for the Prince, while Alexander discovers the lifeless body of his friend. In Alexander, Siegfried’s ideals will live on.

Cast

Music by  Pyotr Ilyich Tchaikovsky

Ballet in a prologue and four acts

DIRECTOR: Ido Arad

CHOREOGRAPHY: Benjamin Pech

 

Assistant Choreographer: Gillian Whittingham

Sets and Costumes by Aldo Buti

Lights: Vinicio Cheli

 

GUEST ARTISTS

Paul Marque 17, 19 (8.30pm), 22

Fumi Kaneko 24, 27, 29, 31

Vadim Muntagirov 24, 27, 29, 31

 

Orchestra, Stars, Principal Dancers, Soloists, and Ballet Corps of the Rome Opera House

Production: Rome Opera House

Venue
Teatro dell´Opera di Roma Teatro Costanzi

A new way to discover the finest details in different opera houses, theatres one can explore from home in advance through the revolutionary GOOGLE PERFORMING ARTS PROJECT. CLICK ON THE LINK TO SEE THE THEATER.

 

The Teatro dell'Opera, from its building (1879), at Domenico Costanzi’s request (1810-1898), and 1926, when it was bought by the then Governor of RomE, bore the name of Domenico Costanzi, building contractor and impresario, who committed the building to the Milanese architect Achille Sfondrini (1836-1900), specialized in theatre building and renovation. Built in 18 months on the area prevIously occupied by Heliogabalus’ villa, it was inaugurated on November 27th, 1880 with Semiramide by G. Rossini, conducted by the Maestro Giovanni Rossi, in the presence of the King and Queen of Italy.


Sfrondini’s design privileges the acoustic effect, by conceiving the interior structure as a "resonance chamber": as is particularly evident from the horseshoe shape. At the beginning, the theatre, with a seating capacity of 2,212 spectators, had three tiers of boxes, an amphitheatre, a gallery. All was surmounted by a dome with splendid frescoes by Annibale Brugnoli.


Costanzi invested all his personal assets in the venture. However, due to the despotic refusal of the City Council to redeem the theatre, Costanzi was obliged to manage it himself. Despite the fact that he had to deal with huge financial problems, under his management the opera house held many world premières of such operas as Cavalleria Rusticana (on May 17th, 1890) and L'Amico Fritz(October 31st 1891), both by Pietro Mascagni, who then became very well known.


For a brief period, the theatre was managed by the founder's son, Enrico Costanzi, who contributed to other great premières: Tosca by Giacomo Puccini (January 14th, 1900) and Le Maschere (January 17th, 1901). In 1907, the Teatro Costanzi was managed by the impresario Walter Mocchi (1870-1955) on behalf of the Società Teatrale Internazionale e Nazionale (STIN).


In 1912 Emma Carelli (1877-1928), Mocchi's wife, became the managing director of the new «Impresa Costanzi», named as such following various changes in the company structure. With Rome City Council’s purchase of Costanzi company, the theatre became “Teatro Reale dell'Opera” and a partial rebuilding was commissioned to the architect Marcello Piacentini. Closed on November 15th, 1926, it was re-opened on February 27th, 1928 with the opera Nerone by Arrigo Boito, conducted by the Maestro Gino Marinuzzi.


With the advent of the Republic, the theatre gained the current name of Teatro dell'Opera. In 1958, the building was further remodeled and modernised at the request of the Rome City Council. In over a century, the Teatro dell’Opera has seen its prestige increase internationally. During the several seasons, the most acclaimed voices worldwide followed one another: Enrico Caruso; Beniamino Gigli; Aureliano Pertile; Giacomo Lauri-Volpi; Claudia Muzio; Maria Caniglia; Maria Callas; Renata Tebaldi; Montserrat Caballé; Marilyn Horne; Raina Kabaivanska; Mario Del Monaco; Franco Corelli; Giuseppe Di Stefano; Tito Gobbi; Alfredo Kraus; Ruggero Raimondi; José Carreras; Placido Domingo and Luciano Pavarotti. Among the finest conductors, we can mention Otto Klemperer, Arturo Toscanini, Victor De Sabata, Marinuzzi,Vittorio Gui, Tullio Serafin, Von Karajan, Gianandrea Gavazzeni, Carlo Maria Giulini, Georg Solti, Claudio Abbado, Georges Prêtre, Zubin Mehta, Lorin Maazel, Mstislav Rostropovich, Giuseppe Patanè, Giuseppe Sinopoli, Wolfgang Sawallisch, Nino Sanzogno, Gianluigi Gelmetti and since 2008 the Maestro Riccardo Muti.

 

How to reach Teatro dell'Opera

Piazza Beniamino Gigli, 7


METRO
Linea A -  REPUBBLICA TEATRO DELL'OPERA stop

BUS
Via Nazionale - H, 40, 60, 64, 70, 71, 170, 116T
Via Depretis - 70, 71
Via Cavour - 16, 75, 84, 150 (festivo), 360, 590, 649, 714
Stazione Termini - 16, 38, 75, 86, 90, 217, 310, 360, 649, 714

TAXI
phone number  - 06.3570

Hotels and Accomodation Nearby

Buy now

Gift vouchers

Gift someone an unforgettable night at the opera.
Choose a gift coupon and let them pick the performance they love—music, drama, and world-class artistry, all in one elegant experience.
Official Tickets for Rome Opera Theater, Italy, Concerts, Museums, etc.
Instagram
Payment
Ticket Search
Google Play
App Store
© 2026 RM EUROPA TICKET GmbH
Whatsapp