Tancredi

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Tancredi

Music by Gioachino Rossini

Heroic opera in two acts

Libretto by Gaetano Rossi,  from Voltaire

 

 

Synopsis

 

Background

Syracuse has recently experienced competition and war with the Byzantine Empire (with which it has an unstable truce) and the Saracen armies headed by Solamir, but exhausted, has internal conflicts, too. The soldier, Tancredi, and his family have been stripped of their lands and wealth, and he himself has been banished since his youth. Two noble families, headed by Argirio and Orbazzano, have been warring for years but begin to reconcile. Also present is Solamir, the Moorish general. Argirio's daughter, Amenaide, is secretly in love with Tancredi. Prior to the beginning of the opera, she has sent him a letter (without naming him in it), and it is this letter which complicates proceedings.

 

Place: The city-state of Syracuse

Time: AD 1005

[This synopsis reflects the action which occurs in the original Venice version of February 1813]

 

Act 1

Overture

Scene 1: A gallery in Argirio's palace

Warring nobles Argirio, leader of the Senate in Syracuse, and Orbazzano and their men celebrate a truce and the end of a civil war: Chorus: Pace, onore, fede, amore / "Peace, honour, faith, love / Rule now". Along with Isaura, Amenaide's friend, and her ladies, Argirio proclaims that this unity reinforces a new security for the city against the Moorish forces led by Solamir: Se amistà verace, è pura / "If you keep in your heart true friendship". He names Orbazzano as the leader against the Moors. However, Argirio warns the assembled forces against a possible greater threat, that from the banished Tancredi, a statement which disturbs Isaura. Argirio then summons his daughter, Amenaide, to appear.

 

She joins in the general songs of triumph by the assembly, but is disturbed because her secret beloved, Tancredi, has not rejoined her although she has written to him asking him to do so as she knows that he is returning in disguise. The Senate has given Tancredi and his family's confiscated estates to Orbazzano and Argirio offers him Amenaide's hand in marriage to help solidify the truce. He wishes the ceremony to be performed immediately, and although Amenaide dutifully consents to the marriage, she pleads with her father to postpone it until the following day. All leave except Isaura who laments upon the situation in which Amenaide is now placed: Amenaide sventurata! / "Unhappy Amenaide, what a dreadful day for you".

 

Scene 2: A garden in the Palace

In the early morning, near a garden close to the seashore, Roggiero, Tancredi's squire, then Tancredi and his men, disembark. Not having received Amenaide's letter, he pledges to help defend the city against the invaders and to seek out his beloved: Aria: Oh patria! dolce, e ingrata patria / O my country, dear, thankless native land". Roggiero is dispatched with a message for Amenaide, and he sends his followers to spread the word that an unknown knight has arrived to help save the city. His thoughts turn to Amenaide: Tu che accendi questo core / "You who set aflame this heart", and then to how much pain he has caused her: Di tanti palpiti, di tante pene / "After such beating of the heart, such torment".

 

When all have left, Tancredi sees Argirio and his daughter enter the garden. He hides, but can overhear them. Argirio informs the accompanying followers that they are invited to the wedding which will take place that noon. The young woman pleads for more time, but is told that the ceremony must take place right away. Argirio continues by informing all that the enemy leader, Solamir, has surrounded the city, and has asked for Amenaide's hand in marriage. He also tells Amenaide that Tancredi has returned to Messina, and that the Senate has condemned him to death as a traitor. He forcibly reminds Amenaide that she owes to be obedient to her father's wishes and marry Orbazzano without delay. Argirio's aria: Pensa che sei mia figlia / "Think that you are my daughter".

 

As Argirio leaves, Amenaide immediately regrets that she has indirectly involved Tancredi by writing to him: Che feci! incauta! / "What have I done! Thoughtless woman!". Tancredi then appears and Amenaide tells him that he must immediately escape. Coldly, she rejects his claims of loving her, although the couple, in spite of their differences, then laments the dangerous situation in which they find themselves: Duet: L'aura che interno spiri / "The air you breathe brings mortal danger".

[This duet, being the first confrontation between the couple, was omitted after the Venice premiere and replaced with Lasciami: non t'ascolto from act 2, scene 3. However, it reappears in some modern recordings (and productions) which use the Ferrara ending and some of which therefore omit Lasciami. Others retain it.]

 

Scene 3: A public square close to the cathedral

People are gathered in the square for the wedding ceremony. Argirio assures all that the new-found unity between the two factions will be strengthened by the marriage. In disguise, Tancredi appears and offers his services. Privately, he feels that Amenaide has betrayed him by accepting the marriage but, when she refuses to go ahead with it, an angry Orbazzano enters. Publicly, he denounces her and, having overheard the prior conversation, declares that the marriage will not take place. Immediately, he produces a letter, which he assumes was intended for Solamir and which appears to implicate her in a treasonous plot to overthrow Syracuse by calling upon the recipient to come and capture the city. [In reality, it is the letter which Amenaide had sent to Tancredi, deliberately omitting his name for his protection, and which had never reached him].

The assembled crowd is horrified: "Die in disgrace, woman!" they proclaim. Amenaide swears that she is innocent, but her father denounces her, as does Tancredi. She is dragged off to prison to await death as all except her faithful Isaura proclaim: Quale infausto orrendo giorno! / "A day of disaster, what an ill-starred day...a day of disasters and terrors."

 

Act 2

Scene 1: A gallery in Argirio's castle

An angry Orbazzano reflects on Amenaide's apparent treachery and her contempt of him: Vedesti? L'indegna! / "You have seen? She spurns me, the unworthy woman". Aside, Isaura pities Amenaide's fate, reminding Argirio that Amenaide is his daughter: È tua figlia! / "She is your own daughter". The assembled knights are divided in their emotions, with some of the group of knights pleading for mercy, others supporting his decision, but while Argirio expresses his sorrow at the turn of events, (Aria: Oh Dio! Crudel! qual nome caro e fatal or mi rammenti / "You remind me of that name both dear and fatal"), he reluctantly signs the death warrant.

[Ferrara version as performed: Arigio's aria is removed.]

All but Isaura and Orbazzano leave. She reproaches him for his cruel and barbarous behaviour, and, alone after he leaves, pleads for divine aid for Amenaide: Aria: Tu che i miseri conforti / "You who console the miserable, give her endurance".

 

Scene 2: Inside the prison

In chains, Amenaide enters: Aria: Di mia vita infelice / "Here I am at the end of my unhappy life". She cries out to Tancredi "I die for you!": Aria: No, che il morir non è / "No, death is not so terrible to me if I die for love". In the end, she believes that he will learn the truth and "he will know the constancy of my heart".

Into the prison come Orbazzano and his followers, determined to see the execution carried out. He asks if there is anyone willing to defend the traitor. Tancredi, although he still believes that his love has been betrayed and that Amenaide is a traitor, steps forward. He challenges Orbazzano to a duel in defense of Amenaide's honor and life, and throws down his gauntlet. Throughout the interchange, Amenaide urges Tancredi to prove that she is innocent. Orbazzano embraces the unknown knight, seeking to know his identity as does Argirio who, in a duet with Tancredi, pleads: Ah! se de'mali miei / "Ah! If you have pity in your heart for my sufferings, At least reveal to me who you are. Comfort me in my pain". In return, Tancredi declares "Heaven has been my enemy since my childhood. You will know who I am one day, But do not hate me..." before the trumpet sounds, signaling the start of the contest. Before heading for the duelling site, he proclaims "To the field; I burn with glory and with fury".

Elsewhere in the prison, Amenaide learns what has transpired and prays for protection for Tancredi, begging him to return to her a victor: Aria: Gran Dio! Deh! tu proteggi / "Just God whom I humbly adore, You can read in my heart, You know whether I am guilty, And for whom I ask your favour". From outside, a roar announces Tancredi's victory, while she declares: "In this moment I see it, I feel it."

 

Scene 3: The main square of the town

Tancredi arrives triumphant and the people rejoice. However, as sweet as victory may be, he resolves to leave Sicily and, as Amenaide approaches him, he still believes that she has been unfaithful and is unwilling to talk to her. In a duet, they express their conflicting emotions: Duet: Lasciami: non t'ascolto / "Let me go; I will not listen to you". She then demands that he kill her, but both leave while Roggiero remains, having learned the truth from Isaura: S'avverassero pure I detti suoi! / "If only her words were true". Roggiero expresses the hope that, if Amenaide is indeed innocent, then "May the torch of love return shining, smiling and fair".

 

Scene 4: A cavern in a mountain range with Mt. Etna in the distance

Alone and close to the Saracens' camp, Tancredi reflects upon his sad destiny: Aria: Dove sono io? / "Where am I? Through what horrors does my despair lead me?", all the while recalling Amenaide's betrayal: "Oh that I could forget!" The Saracens appear, proclaiming Regna il terror nella Città / "Terror reigns in the city". With the arrival of the knights of Syracuse along with Argirio and Amenaide, who come in search of Solamir, Amenaide is told that peace will follow if she agrees to marry him. Tancredi defies the Saracens, expressing a willingness to fight to the death: Rondo: Perchè turbar la calma / "Why trouble the peace of my heart". Tancredi goes into battle and, when all is over, emerges victorious and learns that the dying Solamir has testified to Amenaide's innocence.

In a moment of general rejoicing, the lovers are reunited: Fra quai soave palpiti / "Gently beats my heart". Tancredi, Agirio and Amenaide are united in expressing their joy: Si grande è il mio contento / "So great is my joy", and Isaura joins them in the general rejoicing.

 

[Ferrara ending as written: one month after the original production, Rossini revised the ending (along with other changes) so that Tancredi wins the battle but is mortally wounded, and only then does he learn that Amenaide never betrayed him. As all clasp hands, Argirio marries the lovers in time for Tancredi to die in his wife's arms.]

Program and cast

Conductor: Michele Mariotti

Director: Emma Dante

 

Chorus Master: Ciro Visco

Set designer: Carmine Maringola

Costume designer: Emma Dante e Chicca Ruocco

Lighting designer: Luigi Biondi      

Coreographic movements: Manuela Lo Sicco         

        

CAST

Argirio: Enea Scala

Tancredi: Carlo Vistoli 

Orbazzano: Luca Tittoto

Amenaide: Hasmik Torosyan

Isaura: Ekaterine  Buachidze*

Roggiero: Maria Elena Pepi*

 

*After the project “Fabbrica” – Young Artist Program del Teatro dell’Opera di Roma

Teatro dell’Opera di Roma Orchestra and Chorus

Teatro dell’Opera di Roma new production

Teatro dell´Opera di Roma Teatro Costanzi

A new way to discover the finest details in different opera houses, theatres one can explore from home in advance through the revolutionary GOOGLE PERFORMING ARTS PROJECT. CLICK ON THE LINK TO SEE THE THEATER.

 

The Teatro dell'Opera, from its building (1879), at Domenico Costanzi’s request (1810-1898), and 1926, when it was bought by the then Governor of RomE, bore the name of Domenico Costanzi, building contractor and impresario, who committed the building to the Milanese architect Achille Sfondrini (1836-1900), specialized in theatre building and renovation. Built in 18 months on the area prevIously occupied by Heliogabalus’ villa, it was inaugurated on November 27th, 1880 with Semiramide by G. Rossini, conducted by the Maestro Giovanni Rossi, in the presence of the King and Queen of Italy.


Sfrondini’s design privileges the acoustic effect, by conceiving the interior structure as a "resonance chamber": as is particularly evident from the horseshoe shape. At the beginning, the theatre, with a seating capacity of 2,212 spectators, had three tiers of boxes, an amphitheatre, a gallery. All was surmounted by a dome with splendid frescoes by Annibale Brugnoli.


Costanzi invested all his personal assets in the venture. However, due to the despotic refusal of the City Council to redeem the theatre, Costanzi was obliged to manage it himself. Despite the fact that he had to deal with huge financial problems, under his management the opera house held many world premières of such operas as Cavalleria Rusticana (on May 17th, 1890) and L'Amico Fritz(October 31st 1891), both by Pietro Mascagni, who then became very well known.


For a brief period, the theatre was managed by the founder's son, Enrico Costanzi, who contributed to other great premières: Tosca by Giacomo Puccini (January 14th, 1900) and Le Maschere (January 17th, 1901). In 1907, the Teatro Costanzi was managed by the impresario Walter Mocchi (1870-1955) on behalf of the Società Teatrale Internazionale e Nazionale (STIN).


In 1912 Emma Carelli (1877-1928), Mocchi's wife, became the managing director of the new «Impresa Costanzi», named as such following various changes in the company structure. With Rome City Council’s purchase of Costanzi company, the theatre became “Teatro Reale dell'Opera” and a partial rebuilding was commissioned to the architect Marcello Piacentini. Closed on November 15th, 1926, it was re-opened on February 27th, 1928 with the opera Nerone by Arrigo Boito, conducted by the Maestro Gino Marinuzzi.


With the advent of the Republic, the theatre gained the current name of Teatro dell'Opera. In 1958, the building was further remodeled and modernised at the request of the Rome City Council. In over a century, the Teatro dell’Opera has seen its prestige increase internationally. During the several seasons, the most acclaimed voices worldwide followed one another: Enrico Caruso; Beniamino Gigli; Aureliano Pertile; Giacomo Lauri-Volpi; Claudia Muzio; Maria Caniglia; Maria Callas; Renata Tebaldi; Montserrat Caballé; Marilyn Horne; Raina Kabaivanska; Mario Del Monaco; Franco Corelli; Giuseppe Di Stefano; Tito Gobbi; Alfredo Kraus; Ruggero Raimondi; José Carreras; Placido Domingo and Luciano Pavarotti. Among the finest conductors, we can mention Otto Klemperer, Arturo Toscanini, Victor De Sabata, Marinuzzi,Vittorio Gui, Tullio Serafin, Von Karajan, Gianandrea Gavazzeni, Carlo Maria Giulini, Georg Solti, Claudio Abbado, Georges Prêtre, Zubin Mehta, Lorin Maazel, Mstislav Rostropovich, Giuseppe Patanè, Giuseppe Sinopoli, Wolfgang Sawallisch, Nino Sanzogno, Gianluigi Gelmetti and since 2008 the Maestro Riccardo Muti.

 

How to reach Teatro dell'Opera

Piazza Beniamino Gigli, 7


METRO
Linea A -  REPUBBLICA TEATRO DELL'OPERA stop

BUS
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Via Cavour - 16, 75, 84, 150 (festivo), 360, 590, 649, 714
Stazione Termini - 16, 38, 75, 86, 90, 217, 310, 360, 649, 714

TAXI
phone number  - 06.3570

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